Her writing appears in art21, Art in America, Ars Technica, Hyperallergic, Rhizome, Vice Motherboard, and SF MOMA’s Open Space. Her essay “Materiality to Machines: Manufacturing the Organic and Hypotheses for Future Imaginings,” was published in The Routledge Companion to Biology in Art and Architecture. She is a co-founder of REFRESH, a politically-engaged art and curatorial collective and serves as the Executive Director for the Processing Foundation. She is also an advisory board member for POWRPLNT, slash arts, and House of Alegria.
Lower graphic by Omar Mohammad.
A conversation between Christopher Coleman, Salome Asega and Dorothy Santos about the ways their different organizations work to support and encourage communities.
As someone who worked in the biotech and pharmaceutical industry for 14 years, I didn’t realize how one set of rules around language would change my perspective on how I communicate and write stories. In particular, how do we follow the rules of language when we may not understand what is being communicated? How does one make another human being understand the importance of something they have yet to learn? In this talk, I will share with the audience my research and work in interactive fiction, playable media, text-based work, and a practice I engage in quite regularly-subversion through methodology.