Sarah Groff Hennigh-Palermo is an artist, programmer, and erstwhile data designer. Her work centers around methods to make computers less like machines and more like plants — more accessible, more flexible, more contextual. She has created data-obscured art sites, new computer languages, and hybrid nostalgia machines.
Most recently, she has been creating abstract films and performing live visuals with her algorithmic band, Codie.
Sarah is an alumna of the School for Poetic Computation, Brown University, and NYU Tandon School of Engineering. She has taken part in group shows at Sonar+D, Westbeth, Day for Night, and Flux Factory. The best feedback she's ever gotten came from an exhibition organizer who said, “At first I thought this was going to be more stupid data shit, but it was actually really hypnotizing.
Most recently, she has been creating abstract films and performing live visuals with her algorithmic band, Codie.
Sarah is an alumna of the School for Poetic Computation, Brown University, and NYU Tandon School of Engineering. She has taken part in group shows at Sonar+D, Westbeth, Day for Night, and Flux Factory. The best feedback she's ever gotten came from an exhibition organizer who said, “At first I thought this was going to be more stupid data shit, but it was actually really hypnotizing.
